LEITZ Leica Summilux M 50mm F/1.4 E43 Ver.II V2 Black Lens Yr.1969 Germany 200.Everyone knows the motto of the Boy Scouts of America – Be Prepared. Can a lens that old be any good, especially when compared to more recent optics In Sep 2001, John Collier stepped up to the plate and made the following observations:Part of the serial number (if any) on the product photos might have been masked. The pre-ASPH (11114) 50mm 1.4 Summilux-M has an optical design which dates from the late 1960s. Summilux 50mm or Voigtlnder Nokton 50mm 50mm Summilux-M Overview.This game of “what’s in my bag” is played out constantly on numerous photographic enthusiasts’ websites. If you are a gear head like me, this is part of the fun (or headache) when preparing to travel – assembling the kit of essential cameras and lenses, anticipating what photographic situations you will find yourself in and what you need to take with you to deal with them. When travelling, you need to consider the camera and lenses you might need for whatever photographic situations you might encounter, but still keep the load small enough and light enough to not get in your way.
Actually only the E46 should be called 'pre-asph' as it shares the E46 form with the current asph lens. Many people don't realise there are two optically different E43 versions and the third version is the late E46 version. You can travel with a minimum of bulk, but still keep all of your bases covered.Correct. Emulator for mac that can play app store gamesMe, I am happy just being out there shooting in the target rich environment that Las Vegas presents. I know, what goes in Vegas, stays in Vegas! We’ll leave that to the kids. The Leica Summicron 50mm f/2 is Leica’s most famous lens.Last November, we had planned a trip to Las Vegas to celebrate my older son’s bachelor party. So it should be a V3 Summicron, M mount. Type 1 - 1,645,300 - 1,844,000 E43.19 20 Summicron-R 2437751 2 Summicron-R 24 2440000 Summicron 20 50 The serial number of the lens in question is 2439480 which identifies it as a Summicron, not a Summicron-R. Kindle for mac user guideThe last time I saw Santana live was almost forty years ago in my college days! The show was in a few hours and I had no time to go back up to the room, but luckily I had the two fifties in my bag, along with the 90 and the Q. Of course, we jumped at the chance to see the legend in concert. With testing and writing for Viewfinder always in mind, I thought I had more than enough gear to work with.As luck would have it, my brother-in-law, who was along for the festivities, managed to obtain some choice last minute tickets to the Carlos Santana show at the House of Blues Theater in our hotel. Of course, everything fit into my trusty FOGG Forté bag. I had recently acquired a Zeiss Sonnar C 50/1.5 and a Canon 50/1.4 LTM lens, and I also had a Leica Q along which Leica USA had graciously lent me for the trip. This is a fairly typical travel kit for me, and with it I could handle anything from landscapes to portraits. A few initial test shots, using the rear display to zoom in to check on areas of critical focus and the histogram for exposure, indicated I was good to go.If you are not familiar with it, the 50/1.4 Canon LTM lens was made by Canon for their rangefinder cameras which were competing with Nikon, Zeiss and of course Leica in the late fifties and sixties. Fortunately, the Canon 50/1.4 worked out quite well for this potentially difficult assignment. I know, one should be fully versed on the equipment you plan to use, but that was the point of having the two 50mm with me for testing. But which 50 to choose? As this was only the second day of the trip, I was not yet fully familiar with either lens’s traits, but being mindful of the Sonnar’s reputation for focus shift, I went with what I knew would be the safe choice – the Canon. Once we took our seats, I realized we were much closer to the stage than I had ever anticipated, being at the first high-top table to the right of the stage, literally ten feet away from some of the band members! From past experience, I had anticipated the 90mm being barely adequate in reach for a concert venue, but a 50 would work just fine here. Are you a professional? Of course not, I said! As usual, the M cameras’ unobtrusive, non-threatening, “that looks like it’s just an old camera” appearance saved the day.
0 Comments
Leave a Reply. |
AuthorHelen ArchivesCategories |